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Rice (rye) shell, Toothie shell and Marieneer shell necklace

Date: 1998
Dimensions:
Overall: 900 x 12 mm, 0.04 kg
Medium: Cotton / nylon, Rice (rye) shell, Toothie shell and Marieneer shell necklace
Credit Line: ANMM Collection
Object Name: Necklace
Object No: 00030306
Place Manufactured:Tasmania

User Terms

    SignificanceThis form of shellwork is one of the few cultural practices to have survived the massive disruption to the Indigenous community that occurred in Tasmania over the last two centuries, especially in the devastating colonial wars. Thus contemporary Palawa shellwork is an imposing achievement. It is a women’s tradition stretching back many, many generations, and the techniques of choosing and intricately stringing the tiny shells are passed down to daughters, nieces and granddaughters. It is also a tradition that has evolved over time, with contemporary influences and artistic interpretation.

    Different shells can only be collected at certain times of the year, dictated by the seasons and the often wild weather and treacherous waters around Tasmania.

    The shells collected include the maireener, toothy, rice, cockle and crow shells. The wonderfully iridescent maireener is the most prized shell used in necklace making, collected only during the spring tides. It is difficult to obtain as it only grows on living seaweed and seagrass located off shore. The shells need to be collected individually within a short three-hour timeframe.

    Nowadays, pollution, over-collecting and fishing activities mean that the maireener shells – especially the larger ones – are becoming increasingly hard to find. Palawa shellwork, which was widely collected from the 19th century as curios and souvenirs – once an unknown part of community sustenance and survival – has, since the 1990s, been much sought after by collectors and institutions around the world as a contemporary cultural practice, assisting Palawa women to maintain this particular important cultural practice.

    Tasmanian shell necklaces were not only body adornments but had an important role in ritual and cultural exchange. They were used as gifts, trade items and tokens of honour. In 1802 a member of the French scientific expedition under Nicolas Baudin, botanist Jean-Baptiste Leschenault de la Tour, described their appearance, construction and – inadvertently – their role in gift exchange: Several of them crossed the strait [from Bruny Island] … On arrival, [the chief] gave me the necklace he was wearing, which was made of shells of glistening mother-of-pearl, strung on a small cord made of bark and grass. [H]e asked in exchange a necklace of glass beads, which I immediately gave him.
    HistoryIn Tasmania, Palawa (Tasmanian Aboriginal) women string shells into body adornments such as necklaces, bracelets and pendants. This form of shellwork is one of the few cultural practices to have survived the massive disruption to the Indigenous community that occurred in Tasmania over the last two centuries, especially in the devastating colonial wars. Thus contemporary Palawa shellwork is an imposing achievement. It is a women’s tradition stretching back many, many generations, and the techniques of choosing and intricately stringing the tiny shells are passed down to daughters, nieces and granddaughters. It is also a tradition that has evolved over time, with contemporary influences and artistic interpretation.

    The shells collected include the maireener, toothy, rice, cockle and crow shells. The wonderfully iridescent maireener is the most prized shell used in necklace making, collected only during the spring tides. It is difficult to obtain as it only grows on living seaweed and seagrass located off shore. The shells need to be collected individually within a short three-hour timeframe.

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