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Broadsheet ballad 'Lash'd to the Helm'.

Date: 1813 - 1838
Dimensions:
Overall: 247 x 82 mm, 0.023 kg
Medium: Woodcut engraving and printed text on paper mounted on card.
Credit Line: ANMM Collection
Classification:Ephemera
Object Name: Broadsheet
Object No: 00017402
Place Manufactured:London

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    Description
    Broadsheet featuring the ballad 'Lash'd to the Helm'.
    SignificanceBroadsheets were designed as printed ephemera to be published and distributed rapidly. This also meant they were quickly disposed of with many of them not surviving the test of time. The museum's broadsheet collection is therefore a rare and valuable example of how maritime history was communicated to a wide audience, particularly in the 18th and 19th centuries. They vibrantly illustrate many of the themes and myths surrounding life at sea. Some of them also detail stories about transportation and migration.
    HistoryLASH'D TO THE HELM.

    In storms when clouss [sic] obscure the syy [sic],
    And thunders roll, and lightninus [sic]
    In midst of all these dire alarms,
    I think, my sally, on thy charms.
    The troubled main,
    The wind and rain,
    Mh [sic] ardent passion prove;
    Lash'd to the helm,
    I'd think on thee, my love.
    When rocks appear on ev'ry side,
    And art is vain the ship to guide;
    In varied snapes whhn [sic] death appears,
    The thoughts of thee my bosom cheers.
    The troubled main, &c.

    But sould [sic] the gracious pow'rs prove kind,
    Dispel the gloom, and still the wind
    and waft me to thy arms once more,
    Safe to my long-lost native shore.
    No more the ain,
    I'd tempt again,
    Put tender joys improve then with thee,
    Should happy be,
    And think on nough but love.

    Broadsheets or broadsides, as they were also known, were originally used to communicate official or royal decrees. They were printed on one side of paper and became a popular medium of communication between the 16th and 19th centuries in Europe, particularly Britain. They were able to be printed quickly and cheaply and were widely distributed in public spaces including churches, taverns and town squares.

    The cheap nature of the broadside and its wide accessibility meant that its intended audience were often literate individuals but from varying social standings. The illiterate may have also had access to this literature as many of the ballads were designed to be read aloud.

    The ballads also covered a wide range of subject matter such as witchcraft, epic war battles, murder and maritime themes and events. They were suitably dramatic and often entertaining, but occasionally they were designed as elaborate cautionary tales for those contemplating a life of crime.

    The broadside ballads in the museum's collection were issued by a range of London printers and publishers for sale on the streets by hawkers. They convey, often comically, stories about love, death, shipwrecks, convicts and pirates. Each ballad communicates a sense that these stories were designed to be read aloud for all to enjoy, whether it was at the local tavern or a private residence.
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